Site icon Robert Fenwick Elliott

Bar Room Drawl

Just back from the Australian Bar Association’s Advanced Trial Advocacy Course, a week-long residential retreat in Brisbane.

It is a remarkable thing that a group of participants with some hundreds of years of advocacy experience should undertake this sort of training.   It is an extraordinarily intense way to spend a week. Apart from all the lectures and demonstrations, we were required repeatedly to perform in front of a faculty of coaches consisting not only lawyers (Supreme Court Judges and other judges and senior practitioners from a number of jurisdictions) but also performance coaches. After each performance, we were immediately analysed by at least two coaches on the spot, and then sent into another room to watch our performances on video, and have that analysed by a third coach.  And so, apart from the legal stuff, along the lines of:

And so on, there was also a lot of performance stuff:

That sort of stuff.

In real-courtroom situations, of course, it is inappropriate to experiment, and there no is immediate feedback of this sort. And so the opportunity to listen to feedback, and to try different ways of implementing it, is invaluable.

I worked out the other day it is now very nearly 40 years since I started doing advocacy – then as an articled clerk in Norwich making applications to set aside default judgments and the like.  Happily, I have over the years won much more often than I have lost, but a few days on an intensive course like this brings it home that there is still a lot more to learn, as a few extracts from the video will show.  It is an art of huge complexity.

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